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Friday, May 26, 2017

Fwd: Weekly digest for THE CABINET CARD GALLERY, on May 22, 2017


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From: THE CABINET CARD GALLERY <donotreply@wordpress.com>
Date: Mon, May 22, 2017 at 2:26 AM
Subject: Weekly digest for THE CABINET CARD GALLERY, on May 22, 2017
To: 1960reunion@gmail.com


bmarshphd posted: "   Wedding photos are not an unusual find in the hunt for vintage photographs. This particular photograph is a bit special. It caught my eye because of the terrific expressions on the faces of the bride and groom, particularly the bride. Th"

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PORTRAIT OF A SPUNKY BRIDE AND HER GROOM IN CHICAGO, ILLINOIS

by bmarshphd

 

Wedding photos are not an unusual find in the hunt for vintage photographs. This particular photograph is a bit special. It caught my eye because of the terrific expressions on the faces of the bride and groom, particularly the bride. The bride's expression is priceless. I interpret her expression in two ways. First, she seems to be quite spunky. She has "personality galore". Second, she shows a look of satisfaction, as if she is thinking "I finally snared the man I wanted to marry". The groom also has a flair for the dramatic. He appears scared and uncomfortable. One of his legs is lifted off the floor in an awkward position (flamingo style). Is he using his knee as a platform for the bouquet of flowers that his bride is holding? I am truly uncertain as to the reason he is posed in this manner. Despite the groom's weird "yoga pose", I think the photographer did a great job composing this wedding portrait. I admire his ability to capture the vivid facial expressions of this young couple. The photograph was produced by the Pulaski Photo Art Company of Chicago, Illinois. The President/Manager of Pulaski was Max Prusinski (1883-?) and the Secretary of the company was John Prusinski. Interestingly, this studio produced another wedding portrait which can be found in "The Cabinet Card Gallery". The image can be seen below. At the time I posted this photograph, I noted what an excellent job the photographer did in capturing the bride's personality. In my description of the image I wrote "She is exhibiting a playful smile and appears to be a vivacious young woman". The bride in the image below also appears to be quite spunky. It is likely (based on a small sample of two photos) that the photographer (s) from the Pulaski studio strived to spice up wedding portraits by capturing the personalities of the wedding couple.

 

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bmarshphd posted: " Priscilla Dean (1896-1987) was a popular American actress who appeared in both silent films and theatre productions. Her career spanned two decades. She was born in New York to a theatrical family. Her mother and father were actors. She attended a conve"

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PRISCILLA DEAN: TALENTED SILENT FILM ACTRESS AND LESS TALENTED "TALKIE" ACTRESS

by bmarshphd

Priscilla Dean (1896-1987) was a popular American actress who appeared in both silent films and theatre productions. Her career spanned two decades. She was born in New York to a theatrical family. Her mother and father were actors. She attended a convent school until she was fourteen and than launched her film career. Priscilla made her stage debut at the ripe old age of four and, as previously stated, her film debut at fourteen in films produced by Biograph and several other studios. She was signed to a contract by Universal (IMP) in 1911 and soon gained popularity as the female lead in the comedy series of Eddie Lyons and Lee Moran. She reached stardom after appearing in "The Gray Ghost" (1917). The advent of sound to the film industry impaired Dean's career. She was relegated to low-budget films for minor independent studio during the 1930's and her career fizzled out. Priscilla Dean has been called "an unlikely Diva". She was described as being a plain woman, but cheerful. She is said to have had heavy features, a crooked smile, and an "unfashionably curvaceous figure". However, her intensity on screen was considered "unmatched". Dean was married to actor Wheeler Oakman (1890-1949) who was also under contract at Universal. The couple appeared together in "The Virgin of Stamboul"  (1920)and "Outside the Law" (1920). The pair divorced in the mid 1920's and a few years later she married Leslie Arnold, a famous aviator. Dean died at the age of 91. Perusal of Miss Dean's filmography reveals that she has 95 credits as an actress between 1912 and 1932. To view Miss Dean in the talkie film "Behind Stone Walls" (1932), click the You Tube link below. Keep in mind that she was considered a significantly better silent film actress than a "talkie" actress. This postcard was published  by Ross Verlag of Berlin, Germany. It was part of a series (No. 547/2) and was produced for Universal Studios. It was published sometime between 119 and 1924. The photographer of this portrait was Roman Freulich (1924-1974). Freulich was born in Poland and immigrated to the United States at the age of 14. He learned his trade from New York photographer Samuel Lumiere. He moved to Hollywood in the mid 1920's where his brother Jack was a portrait photographer at Universal Pictures. Roman became a still photographer for Universal and produced many portraits of their major stars. He stayed at Universal until 1944 when he moved to Republic Studios. After Republic stopped production, Freulich did much work for United Artists.

 

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bmarshphd posted: " This vintage real photo postcard features two young men seated at a table having some beers. These guys seem relaxed and quite self assured. They are clearly not intimidated by the camera. The men are well dressed, one more formally than the other. Th"

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TWO COOL DANDIES HAVING SOME COOL BEERS

by bmarshphd

This vintage real photo postcard features two young men seated at a table having some beers. These guys seem relaxed and quite self assured. They are clearly not intimidated by the camera. The men are well dressed, one more formally than the other. They are wearing great looking hats. Take note of the urn under the table. I wonder if it has some meaning in this photograph or if it was just an available prop. It certainly looks out of place. The photographer, the studio, and the subjects are all unidentified.

 

 

 

bmarshphd | May 18, 2017 at 12:00 pm | Categories: Uncategorized | URL: http://wp.me/pnHKU-56Q
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bmarshphd posted: " This cabinet card portrait features a well dressed young woman. She appears to be in her late teenage years. Her dress is adorned with an abundance of buttons as well as webbing and lace . She apparently liked jewelry as she is wearing a collar pin, a p"

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PORTRAIT OF A FASHIONABLE YOUNG WOMAN (THE BUTTON LADY)

by bmarshphd

This cabinet card portrait features a well dressed young woman. She appears to be in her late teenage years. Her dress is adorned with an abundance of buttons as well as webbing and lace . She apparently liked jewelry as she is wearing a collar pin, a pin on her dress, and a couple of rings. She has very curly hair which she wears high on her head. She is displaying a half smile. The name of the photographer and the location of the studio are not listed on the photograph. This relatively close-up photograph has nice clarity and an unusual and interesting staging.

bmarshphd | May 17, 2017 at 1:30 pm | Categories: Uncategorized, Women: Non Theatrical | URL: http://wp.me/pnHKU-56I
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bmarshphd posted: " This vintage real photo postcard features theater actress Minnie Ashley (1878-1946). She was one of the great "stage beauties" of the end of the 19th century. She was a talented singer and dancer and she was featured in the madcap musical "1492" (1892)."

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PRETTY PRIMA DONNA: MINNIE ASHLEY

by bmarshphd

This vintage real photo postcard features theater actress Minnie Ashley (1878-1946). She was one of the great "stage beauties" of the end of the 19th century. She was a talented singer and dancer and she was featured in the madcap musical "1492" (1892). In Boston she performed with the Museum Company and in New York she was a member of the Augustin Daly Company. She had many successes including her performance in "A Country Girl", "Wang", and "San Troy". Her acting resulted in a medical problem. The prolonged exposure to theatrical arc lights caused vision problems. In 1902 she left her acting career and married politician William Astor Chanler who was an affluent grandson of John Jacob Astor. Medical treatment did not help her vision problems and Miss Ashley than put her efforts into sculpting. Chanler and Ashley separated in 1909. She made an attempt at returning to the stage in 1911 but soon opted to pursue her sculpting. During her artistic career she worked under the name of Beatrice Ashley Chanler. In addition to the sculpting, she was active in philanthropy. The book "Famous Prima Donnas" (1900) by Lewis Clinton Strang, devotes a chapter to Minnie Ashley. He describes her as having "artless girlishness, remarkable personal charm, and skill as an imaginative dancer scarcely equalled on the American stage". He adds that these talents explain her "sudden success" in musical comedy. He describes her dancing as "artistic in every sense" but asserts she was not exceptionally talented in the realm of acting and singing. However, Strang is very complimentary of Ashley's appearance. He states "nature was indeed good to her when it endowed her with a most fascinating personality, a pretty piquant face, and a slim graceful figure. This postcard was published by the Rotograph Company (New York) and was part of a series (no. B 174).

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