---------- Forwarded message ---------- From: "Katrina vanden Heuvel" <email@example.com> Date: May 31, 2014 6:46 PM Subject: Vonnegut by the Dozen: Twelve Pieces by Kurt Vonnegut To: "TERRY TRAVERS" <firstname.lastname@example.org>
Dear Friend of the Nation, America owes Kurt Vonnegut a debt of gratitude for infusing its culture with his brilliant insight. Vonnegut by the Dozen: Twelve Pieces by Kurt Vonnegut is available in paperback and in digital format for tablets, smartphones and computers.
The author of Mother Night, Player Piano and Slaughterhouse Five used The Nation as one of the outlets for his political writing. The mordantly funny pieces assembled in this collection cover a twenty-year period from 1978 to 1998, when Vonnegut mused about Mark Twain, Eugene V. Debs, Weimar Germany, Jimmy Carter's cabinet, Edwin Meese, Michael Dukakis and more.
His politics were consistently to the left, and after fighting in World War II—which, for all its horrors, he considered a just war—he angrily condemned all of the United States' subsequent wars of choice. His best work, as you will see, deals with ultimate questions.
Best of all, by purchasing e-books through eBookNation, you'll help to sustain The Nation's journalism while supporting our writers and progressive ideals.
New Reviews at RogerEbert.com for the week of May 30, 2014
Here are reviews of this week's newest movies from RogerEbert.com. For these and more, including blog posts on everything from sci-fi and low-brow comedy to forgotten masterpieces of cinema, please visit our site and join the conversation.
Moodyson gets spirited, engaging performances from his three young leads, and his directing style, which includes lots of handheld camera and zooming into close-ups of the leads, lends an air of both intimacy and improvisation. It's very capable and audience-pleasing…
"Filth" demonstrates that contemporary filmmakers would do well to fine new ways of getting their hands dirty. On the plus side, a viewing of the movie might temporarily cure just about anyone's nostalgia for the mud.
The mistakes made in the production of "A Million Ways to Die in the West," reminiscent of the worst comedic faults of the Happy Madison crew or even the "Epic Movie" guys, feel like the inevitable byproduct of a man-child…
"Night Moves" eschews traditional tension-building through plot twists and betrayals to focus on its characters, as Reichardt uses her increasingly impressive sense of composition and intuitive pacing to slow burn the audience into a state of anxiety instead of manipulatively…
"The Big Ask" features a central protagonist who's simply not likable, supporting characters who serve as little more than plot devices for its lead, and a flat tone that somehow seems to soften even its most likable stars.